SERVICES
SELECTED CLIENTS
Labels & Music Managements
Producers & Artists
- 1979
- 2pole
- Aitor Ronda
- Alex Breitling
- Alex O'Rion
- Alex Stein
- Andrea Bertolini
- Andre Sobota
- Andre Winter
- Andres Campo
- Barry Jamieson
- Bastian Bux
- Ben Coda
- Benedetto & Farina
- Boris
- Brian Cid
- Budakid
- Cj Bolland
- Charlie May
- Chris Fortier
- Christian Smith
- C-Jay
- Clarian
- Cornucopia
- Coyu
- Darin Epsilon
- Dave Angel
- DAVI
- David Granha
- DJ Anna
- Dmitry Molosh
- D-Nox
- D-Unity
- Djuma Soundsystem
- Dosem
- Dousk
- Drunken Kong
- Dubfire
- Einmusik
- Eli Nissan
- Emmanuel Top
- Estroe
- Facundo Mohrr
- Filterheadz
- Fiord
- Gai Barone
- Giorgia Angiuli
- GMJ
- Gregor Tresher
- Guy J
- Guy Mantzur
- Hannes Bieger
- Hernan Cattaneo
- Hidden Empire
- Hollen
- Ian O'Donovan
- Ian Ossia
- Jamie Stevens
- Jens Lissat
- Jimmy Van M
- Joel Armstrong
- John Selway
- Jonas Salbach
- Jos & Eli
- Juan Deminicis
- Kamilo Sanclemente
- Kaiser Souzai
- Kasper Koman
- Ken Ishii
- Khainz
- Lemon 8
- Lilly Palmer
- Loco & Jam
- Luca Agnelli
- Magitman
- Maksim Dark
- Mango
- Marc Romboy
- Mario Ochoa
- Martin Garcia
- Matter
- Max Cooper
- Mladen Tomic
- Meat Katie
- Metodi Hristov
- Microtrauma
- Mike Griego
- Miyagi
- Mononoid
- Moonbeam
- Nanoplex
- Nick Muir
- Nick Warren
- OC & Verde
- Oliver Huntemann
- Olivier Weiter
- Orsen
- Paul Hazendonk
- Paride Saraceni
- Pavel Petrov
- Phonique
- Pig & Dan
- Pole Folder
- Rafael Cerato
- Ramon Tapia
- Reinier Zonneveld
- Renato Cohen
- Rob Hes
- Ron Flatter
- Ronnie Spiteri
- Ryan Davis
- Sacha Robotti
- Sam Wolfe
- Sahar Z
- Sian
- Sinisa Tamamovic
- Soundexile
- Stefano Noferini
- Steve Bug
- The Yellowheads
- Tim Richards
- TiNi TuN
- Timo Maas
- Tom Glass
- Vinicius Honorio
- Will Clarke
SELECTED WORK
FREQUENTLY ASKED QUESTIONS
GENERAL
- To get the best possible results provide at least 24bit 44.1khz wav/aiff file/s with around -6db of headroom with no limiting or clipping applied on the master.
- No extra charge for two different edits (for example Extended and Radio Edit) if the mixes are identical and can be run through exactly same mastering settings.
- For services up to 8 stems and 16 stems you can group your channels. Kick and bassline should be separate ones, rest could be grouped as follows, percussions, hihats, synths, pads, effects, vocals, send/bus effects and so forth.
- For unlimited stem service you can send all the channels separately.
- Audio should be delivered at least as 24bit 44.1khz wav/aiff files.
- You can also provide your own mixdown as reference as well as any other song for reference.
- Provide at least a 16bit 44.1khz wav/aiff file
- After a successfull order you’ll get instructions on how to upload the files.
- If you can’t seem to find a service that fits your specific needs or if you require a personalized solution, please don’t hesitate to reach out to us using our contact form. Let us know the details of the service(s) you require, and we will promptly respond with a price quote and estimated turnaround time
- By creating an account and logging in, you can see all your previous orders and invoices, edit billing details, upload files and leave a review.
TECHNICAL
Bit depth in audio refers to the number of bits used to represent the amplitude of each sample in a digital audio file. In other words, it determines the resolution of the audio signal.The bit depth is usually expressed in bits per sample, and common values are 16 bits, 24 bits, and 32 bits. The higher the bit depth, the greater the dynamic range of the audio signal and the more accurately it can be represented.
For example, with a bit depth of 16 bits, the audio signal can be represented by 65,536 discrete amplitude levels, while with a bit depth of 24 bits, the audio signal can be represented by 16,777,216 discrete amplitude levels.
Having a higher bit depth can lead to a higher signal-to-noise ratio and less distortion in the audio signal.
Sample rate, also known as sampling rate, is another important parameter that describes digital audio. It refers to the number of samples of an analog audio signal that are taken per second to create a digital representation of the signal.
The sample rate is usually expressed in Hertz (Hz), and common values are 44.1 kHz, 48 kHz, and 96 kHz. The higher the sample rate, the more accurately the digital representation can capture the nuances of the original analog signal.
For example, a sample rate of 44.1 kHz means that the analog audio signal is sampled 44,100 times per second, while a sample rate of 96 kHz means that the analog audio signal is sampled 96,000 times per second.
A higher sample rate can provide a greater frequency response and better fidelity to the original sound
Headroom in audio refers to the amount of available space between the maximum level of the audio signal and the maximum level that a system can handle without distortion or clipping.
HOW TO ORDER ?
1.CHOOSE SERVICE
Choose your desired service, or even several different services inc. stereo or vinyl mastering, stem mastering or full mixdown that includes mastering too.
2.PAY ORDER
FIll out the form. In the order form message field you can leave any information, guidelines, name references or include a link for the files if you already have them uploaded. Once done you can pay with several secure payment methods.
3.UPLOAD FILES
After a succeful payment you'll be redirected to a recepit and thank you page. If you need to upload files you get the instructions on how to do it.
4.ALL DONE !
We'll get back to you within 24h and will let you know the exact date when to expect the work to be ready.
RATES
*All prices are subject to VAT (Value Added Tax) and is added based on your location. If you have a valid VAT ID or live outside of EU , no VAT will be added to the order.
STEREO / VINYL MASTERING
STEM MASTERING & MIXING
DJ MIX MASTERING
Deal for labels under Proton distribution
We have a special deal on stereo masterings available for you if you're running your label, or plan to do it under Proton's management / distribution. Please get in touch for details.
ORDER
- FULLY SECURED SSL CHECKOUT
CONTACT
Get in touch if you have any questions and we’ll get back to you ASAP.
ABOUT
Mastering Engineer
Henri Hurtig, also known by his stage name Cid Inc, is a highly respected figure in the electronic music scene with over two decades of experience in music production, audio engineering, mastering, and mixing. He has collaborated with some of the biggest names in the underground club music industry. His exceptional work has earned him a reputation as one of the top mixing and mastering engineers in the business.
REVIEWS
We’ve been working with Henri for quite some time now. He’s a very reliable partner who always get’s out the maximum, even out of difficult mixes. With a lot of experience he knows exactly what matters, not only for a proper club mastering. Besides that he is a very humble and patient person and as a client you always feels heard.
Henri has been mastering all of my tracks and our Hope Recordings releases. He does a fantastic job, on time, and will always do his best if we need anything last minute. My Mrs is also very pleased that I have another Fin working with me 🙂
Loving Henri’s touch on the tracks , always get the details out there and alwasy sounds good in the club, I’m happy to have him doing mastering for my label “Lost & Found
Perfect mastering for Sudbeat stuff